Pelaa Secrets of Atlantis -kolikkopeliä

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Play Secrets of Atlantis on chancehill Play all the best online casino games in a secure and fun environment. Play Casino now. 5. Aug. secrets of atlantis slot The wombat says: The legend of the Lost City of Atlantis has inspired this nice-looking slot by NetEnt. It's another visual. Play Secrets of Atlantis™ in the carmo.nu online casino. There's no time for boredom and high winnings are guaranteed.

Taustalla on kadonnut maailma raunioineen ja teema on vielä hiukan hämärä. Atlantiksen kaupunki näyttää dekantilta, hyljätyltä ja raunioilta kelojen takana.

Klassinen tuhansien vuosien arkkitehtuuri pilkottaa taustalla ja valokeila heijastuu jostain kaukaa meren syvyyksiin. Sukellamme siis pelaajana merenpohjaan aikaan johon tarvitaan yli 11 vuotta!

Vastamme tulee niin merenneitoja kuin muitakin olentoja: Designin puolesta, olemme lähes varmoja, että kehittäjillä on ollut todella hauskat ajat slottia tehdessä, onhan lopputulos todella spektaakkelimainen, suorastaa satumainen.

Eipä nuolaista vielä, tosin bonustoiminto kyllä on, mutta mitä se tarjoaa? Peli on kuvitukseltaan merenpohjan lailla kolkko ja pimeä ja hiukan salaperäinen teemaltaa.

Kaunis siniturkoosi merenpohja on kutsuva ja sen edessä on kelat, jotka pyörivät symboleineen. Merenneidolla on jotain mielessä, niin viekoittelevana hän hymyilee.

Secrets of Atlantis Julkaisupäivä: Kyllä 2kpl Palautusprosentti RTP: Voitot molemmilla tavoilla, Kolossaalinen uusintakierros, Korostus-ominaisuus ja Nudge Wild -symboli.

NetEnt ei varmasti ikinä toisi slottia markkinoille, jossa ei olisi uutta slottiominaisuutta, jota ei ole nähty ennen. Ei pidetä teitä jännityksessä, vaan paljastetaan tämä uusi ominaisuus, joka on nimeltään The Highlight eli korostus-ominaisuus.

Korostusominaisuudesta enemmän tässä artikkelissa. Kolossaaliset Aloitetaan Kolossaalisista symboleista, joista laukaistuu uusintakierrokset, kunhan kaikki keskikelat ovat korostettuna Highlight-ominaisuuden ollessa päällä.

Nudge Wild -ominaisuus puolestaan sisältää jotain, jolla on tekemistä merenneidon kanssa. However, the possibilities of these magic tongues are almost endless, for these tongues are polyssemic.

In other words, each component radix has dozens of different meanings, and result in literally hundreds of possible etyms for the composite names.

Space does not allow a fuller explanation than the ones given, for the connections are virtually endless.

In the present chapter we adduce a few of the virtually hundreds of etyms of the word Atlantis in the holy languages of India, Sanskrit and Dravida.

These two are visibly the sacred tongues in which the legend of Atlantis was originally composed, as these etyms unequivocally attest.

So, it is in them that we must strive to recover their long lost esoteric sense. As we said above, in the present work we play with some of these sacred radices in the manner of the ancient bards and mythographers who composed the myths of Atlantis and Paradise.

The best way not to get lost is to learn with the great masters, who often utilize puns and wordplays in order to compose their myths. But, more than anything, we have the fact that Atlantis was a worldwide empire, which left its paideuma imprinted in essentially all sacred traditions of humanity.

Plato and other sources add that Mt. Atlas was the Pillar of Heaven. Atlas was sited under the Pole, exactly in the Center of the World.

Other features concerning Atlantis are its overseas location; the huge size of the country; its continental i.

In the Indian sources, the myth of Atlantis corresponds, one way or the other, to that of the sunken Atala or Patala , the Primordial Paradise also called Kushathali or Kushasthali.

The central idea of the ancient myths concerning Atlantis and its sinking is, however, the one of the terrible chasm in which it became converted.

In Hindu traditions it is the Vadava-mukha, the Fiery Mare. In Sumero-Babylonian traditions it is the Apzu, the abyss of the sweet waters of doom.

Many others such could still be quoted, for the list is virtually endless. In some traditions, this Abyss is equated with the giant Yoni of the Great Mother, and is even identified with her, in her black, lethal aspect, as Kali or Durga, the Harsh One.

The Real Nature and Location of Paradise The basic feature of Indian myths concerning Paradise is that it is usually placed near the Indian sub-continent itself.

This fact alone would seem to indicate that India is the source of such myths, whence they diffused everywhere at an early date, which is lost forever in the darkest prehistory.

Furthermore, it is reasonable to suppose that the Terrestrial Paradise — meaning the original birthplace of mankind — is one, rather than many.

Hence, we should consider all Paradises as just one and the same, which we will call Atlantis for convenience. But that myth embodies, within itself, the sundry myths of all places which, of course, respond by a diversity of names.

The many different names result from the translation of the original legend in the many tongues of the different nations that preserved the tradition as their own.

They attempted to identify the original locations inside their own territory, recreating local replicas of the original Paradise.

The name of Atlantis applies to two different places and empires, which correspond to the two Indies or, rather, India and Indonesia.

Atlantis is, hence, dual, like our gods and the paideumas that form the essence of our Soul and our Spirit. These two are often personified as the Primordial Couple; as the Twins that created the World; as the Gods and the Devils, and so on.

In modern terms they are called Atlantis and Lemuria, respectively located in the Far Orient and the far Occident, the two extremes of the ancient world of the Hindus.

Finally, one should keep in mind that the ancients wished the esoteric message of their myths to remain secret. Hence, they often employed allegories and paraphrases that altered the names and the directions given in exoteric contexts.

Puns and wordplays often get lost under translation, resulting in the senseless and in the popular etyms that we find, f. Atlantis was often likened to Mt.

Ursa, the Pole Star, is really the allegory of the patron god of the Dravidas, rather than an actual geographical site. The word recalls Mt.

Atlas, the lofty stay of the world and prop of Heaven. Attala or attalas also designates the same thing, and more closely evokes the name of Atlantis and of Mt.

Atlas as the Pillar of Heaven. Atala designates the third hell of Patala. Atlantis, we should recall, was sunk underground or underseas , and became the archetype of Hell or Hades.

Atala is said to be a realm of gold like the Aeaea in Homer, the golden submarine kingdom of Poseidon. Atala is, yet, a name of Shiva Atalas, whom, we shall see, is the deity who symbolizes Mt.

Atlas as the Cosmic Phallus. The Palm Tree was in their traditions, the same as the Tree of Life. The Lofty Towers of Atlantis The word atala passed into the Arabic tongue as at-talaia, a word that denotes a watchtower or a watcher.

The Tower symbolizes the Temple of Jerusalem, and other such temples and holy mountains and is also figured by the ziggurats, stupas, pagodas, pyramids, temples, cathedrals, obelisks, asherahs, spires, towers, campaniles, etc..

Athaliah was the evil woman who killed all the royal descendants, so that she could reign alone. But one escaped Joash and was kept hidden within the watchtower of the Temple, whence he came out later to avenge the murders of the evil queen.

The name of Athaliah seems to play on that of Atlas or Atalas Shiva , as well as on that of a lofty pillar atala. Even the Hebrew etym of her name also suggests the same idea.

The myth of Athaliah and of Joash, her defeater — who came out of the Pillar of the Temple in order to kill her — resembles the one of Narasimha, the Man-Lion of the Hindus, who did the same thing to the evil Hiranya-kashipu.

This name is the same as that of Jachin, one of the two pillars of the Temple of Solomon. It is throw esoteric myths such as this one, that the secret story of the world is told in the Bible, just as it is in the corresponding Hindu myths or those of other nations.

Atarah may personify Atlantis as the Temple of God. The name evokes that of Astaroth or Ishtar, the Babylonian name of Venus.

Ataroth evokes the crown seen falling from the top of the Tower of Arcane no. They also correspond to the twin Pillars of Hercules and Atlas; to the twin obelisks of Egyptian temples, the twin-peaked Mt.

The two, as we shall see further below, also represent the Male and the Female deities, and their respective Pole Stars Ursa and Lyra.

These they placed, one in the Extreme Occident, and the other in the Extreme Orient. The twin peaks of Mt. They are, as we just said, the ones we identify with Atlantis and Lemuria.

These two Paradises, the Greeks called Hesperia and Island of the Blest, with they placed in the two extremes of the world. In a confused way they also identified their two Paradises with the twin Pillars of Hercules, or of Atlas and Hercules, the counterparts of the Primordial Twins.

Atharvan was the first Prajapati and the eldest son of Brahma. He is also called Angiras or Dadhyanch, the original sacrificed one, and an alias of Purusha.

Atharvana is a name of the god Shiva, as the Primordial Sacrifice. Meru in Hyperborea, marking the site of Atlantis.

He is said to be either a Rakshasa devil who eats human flesh, or a sage who composed several hymns of the Rig Veda. These two are the Polar Constellations which patronize, respectively, the Chamites and the Semites.

Atras is also the same as Atlas, as is evidenced by the closeness of both their names and their myths.

The Greeks called Minerva by the name of Pallas Athena, the patroness of Athens, the famous city having taken its name from her after the famous dispute with Poseidon.

The etyms of the names of both Athena and Minerva are unknown, a fact that shows that the goddess is an imported deity, just as Herodotus and several other ancient authorities attest.

As we shall see, both these names are unequivocally of Hindu origin. Other authorities claim that Minerva-Athena was of Pelasgian origin.

These three nations are deeply connected with the mysterious Sea Peoples, who originally came out of nowhere into the Mediterranean region.

Minerva and the Foundation of Atlantis Plato connects Athena-Minerva with the founding of Atlantis, and mentions the goddess in two episodes of his dialogue on the sunken continent.

In one, the philosopher tells of her dispute with Poseidon for the patroning of the city Athens. Poseidon offered the horse, and Athena the olive tree.

The later was considered more useful by the Greeks, who chose the goddess for their patroness. Poseidon was given the patroning of Atlantis, which became the traditional enemy of Athens.

Olives and, more exactly, olive oil, have their use in ritual anointing, a rite whose purpose and origin are strictly Atlantean, but which cannot be explaned here.

In another passage, the great philosopher tells of the Panatheneas, the great festival of the goddess, where the victory of the gods over the Titans was commemorated.

As the scholiasts of Plato explain, this war was the Great war of the Athenians against the Atlanteans, who had invaded the region. Herodotus tells of a very similar tradition among the Libyans and the Egyptians, where Minerva was commemorated by a ritual battle of the people divided into two moieties for the purpose.

Again, Both myths have directly to do with the legend of Atlantis. And, as they far precede the times of Plato, we are led to conclude that the Athenian philosopher could not possibly be inventing the story of Atlantis.

Plato also esoterically connects Athena-Minerva with the founding of Atlantis when he relates the fact that Poseidon engendered Atlas and the other Atlantean princes with Cleito, daughter or alias of Leucippe.

And the myth indeed refers to the legend of Poseidon raping the Great Mother, Demeter under the guise of a horse. This myth is indeed a verbatim copy of an important Hindu Cosmogonic myth, that of Sharanyu and Vishvasvat.

Varuna fell down from the Skies and later became a marine deity Apam Napat , the true archetype of Poseidon or Neptune, the founder of Atlantis.

In the Hindu myth — which dates from the Rig Veda and is hence older than the Greek nation itself and which closely parallels the Greek one just mentioned — the goddess takes the shape of a mare in order to escape the incessant lust of her insatiable husband.

But that was of no avail. The god takes the shape of a stallion and rapes the mare goddess. The Ashvin Twins are the archetypes of the similar personages we encounter the world over.

As we said above, Cleito-Leucippe, the Great Mother of Atlantis according to Plato is indeed the White Mare, the alias of Minerva, of Demeter and of Sharanyu, among many other goddesses figured as mares.

But that is another story [LINK] which we tell elsewhere. Minerva and the Foundering of Atlantis Minerva-Athena was often connected with horses, particularly in a mystic way.

The goddess is also connected with Poseidon Hippios, her male counterpart, said to be her father or, alternatively, her lover.

This idea is also copied from the Hindu myth of Sharanyu, where Vishvasvat, the Sun, is both the father and domesticalm of the lover of Sharanyu. These traditions apparently disclose the fact that the horse — whose the origin is unknown — indeed originated in Atlantis, precisely as Plato affirms.

In a Greek myth, Athena disputes with Poseidon, and beats him at his own game of horse taming. The suffix letis apparently relates to the name of Leto the mother of the twins Apollo and Diana , her alter ego, and to Lethes, the river of Hades whose waters imparted oblivion.

The esoteric allusion is to the Vadava, the Source of the Mare, hidden away under the seas, in the site of Paradise. Again, the myth of Pegasus and that of Hippocrene is Hindu in origin, and so are their connection with the Flood and with Kadesh Barnea and Gades another name of Atlantis.

Triton and Athena Tritogeneia As a further connection with the idea of the foundering of Atlantis and the Vadava, we have the epithets of Athena as Tritonia or Tritogeneia.

These are again somewhat obscure, but can be explained in Hindu languages. Trito or Tritois indeed the Vedic water-god Trita Aptya.

The Tritonic or Tritonides Marshes figure centrally in many Greek myths having to do with the sinking of Atlantis. They correspond to the Vadava, being the spot where the mariners get lost and their ships sink, carried under by the whirling waters like the ones of Charybdis, the giant maelstrom faced by Ulysses and his men.

The Argonauts too get stranded there, but are miraculously saved by the direct intervention of Triton himself. This theme is, once again, taken verbatim from Hindu myths, where Varuna is the god who rescues his supplicants in identical straits.

Even the Psalms, of the Bible allude to an identical event. And the Buddhists too tell, in one of the Jatakas, of a similar succor of Buddha to the navigants who beg for his help.

Again, the list of related myths is virtually endless. It is interesting to note the idea that the god who creates is also the one who destroys.

This is an intriguing allegory of volcanic Mt. Atlas, who was the cause of the foundation of Atlantis at its site — for volcanoes bring abundance with their fertilizing ashes, attracting humans like flies to honey.

But when they explode they also kill everybody, engendering myths such as that of the Great Mother who goes mad and devours her own children.

The same is true of heroes such as Hercules, who kills his sons, or of gods such as Kronos who devours his. The motif of the all-sucking Chasm of Death is also related to the theme of the Sea Sargassos where ships are detained by these vines and dragged to the bottom, as if by the hand of Satan himself.

Once more, this pristine Sea of Sargassos, — that Columbus and his men mistook for the one of the Caribbean, and which populated the ancient legends — lay in the region of Indonesia, where the peril is indeed very real.

This claim is confirmed by the fact that her name is not Greek, and has no known etyms in that language.

For that matter, the same is true of the name of Minerva, which has no etym in Latin. In fact, it is known that Minerva was originally an Etruscan goddess.

Herodotus affirms that Athena is indeed a Lybian goddess, and other ancient authorities affirm tat she is originally Pelasgian. The fact that the eponymous goddess of the Athenians is foreign is very strange, and shows the foreign origin of the myth of Atlantis, with which she is intimately connected.

It is not exceedingly difficult to show that Athena is indeed of Hindu origin. If so, the just mentioned affirmations are true, and the Pelasgians, the Libyans and the Etruscans themselves are originally Indian.

More exactly, the blue-eyed goddess Glauco-opis is an Indonesian Naga, or rather, a Nagini, a female Naga. We saw above the intimate connection of Minerva-Athena with serpents and with serpent-haired Medusa, as well as with the terrifying Vadava-mukha which the monster personifies.

All these being Indonesian features, the only reasonable conclusion is that the goddess is herself of Indonesian origin. In fact, the blond Indonesians in question are the Seres or Hyperboreans, in fact living in the paradisial island of Taprobane and being blond and blue-eyed, as described by Pliny and Solinus and, indeed, by other ancient authorities as well.

As such, Minerva often appeared as a little girl, for instance to Ulysses, when he reaches Phaeacia, the Realm of the Dead Atlantis.

Kanya is also called Kanyakubja, one of the many Hindu epithets of sunken Atlantis. The name of Minerva is likewise Dravida is easy to show.

As we said above, the word has no etym in Latin, having been introduced by the mysterious Etruscans, who came in from sunken troy read Atlantis led by Aeneas.

This etym, which we already explained above in detail, is precisely the one of Leucippe Leuk-hippe , the founding mother of Atlantis.

Athena is, again, derived from the Dravida. Other Dravidian etyms are likewise instructive: The Virgin Mother and Her Wondrous Son Yami is also the Virgin Mother of many mythologies, who ends up as the lover of her own son or her father, as we saw in the myth of Sharanyu and Vishvasvat told above.

She is associated with fire, and is said to have invented suttee by throwing herself into the fiery pyre of her dead husband.

This feat allegorizes the sinking of Atlantis into the Fiery Pit. So, Pallas is indeed Dawn under disguises such as the ones just mentioned. In other words, all those etyms and allegories that do not make any sense whatsoever in Greece, find their natural explanation in the myths and symbols and holy tongues of ancient India.

What else but their origin there can explain these otherwise mysterious coincidences? We believe that this strange connection has never been satisfactorily explained before.

Space does not allow a fuller explanation. Ushas is also called Ulka in India, both words meaning the same in Sanskrit, and indeed deriving from the same radix.

But in Sanskrit, the owl is said ulukka, which closely assonates with ulka. So, the owl associated with the Great Mother is just a way of saying that Minerva indeed stands for volcanoes or, yet, that her true name is Ulka or Ulukka, both Owl and Volcano in the holy tongues of India, where the myth was visibly contrived.

And they are even more meaningful, as this tongue is the mother of Sanskrit. It was the one in which the myth of Atlantis was originally composed.

Hence, we should expect to find in it the clearest and the best etyms of all. And such is indeed the case, as this tongue is truly magical.

And we should recall the din of the ports of Atlantis, as Plato and others repeatedly narrate. This is also the roaring confusion that irritated the gods and led to the Flood in both the Egyptian and the Babylonian accounts.

Ataram or adara, etc. Alam is a saltpan or a maritime tract or a saline marshy land. But this etym says more. It shows that the ravished Atlantis became a saltpan, a dismal salty marsh like that of the Rann of Kutch, the site of the sunken Dvaraka, the very city of Atlantis.

To this etym we should add the suffix tis or tix discussed above, and meaning the same as the Skt desha or, rather, dvipa, that is a sinking island.

I also has a connection with Tisiphone and her Fiery Pillar, visible from afar. This pillar is Mt. Atlas, the fiery volcano that eventually destroyed the region.

As a result, Atlantis became desolate and deserted, being identified to Hades or Hell, the dismal realm of Yama. This suffix also figures in the name of Aphrodite, as we saw further above.

Yama is the archetype of Pluto or Hades, the Lord of the Dead. Tisiphone or Persephone is his faithful wife, who committed the primordial suttee, and who the Hindus equate with Ushas and Mahavidya Chinnamastaka.

Atlantis is, accordingly, personified as Kala Time or Chronos idem or Zurvan Akarana idem ; as the All-Father whom all legends represent as hoary with age and often associate with death and castration Kronos, Kala, etc.

As usual, the Mamm the Wheel is an ancient Gnostic motif Leonardo was secretly a Gnostic representing Atlantis as a replica and of the Pyramid.

So are Christ, Ixion, Vishvasvat and others who pertain to the same primordial motif of spanning the distance between Heaven and Earth with their immense size, or with that of the phallic instrument of torture they are pinned to.

As such it recalls how the angels of Atlantis, the Sons of God, such as Angiras, mingled freely with the Daughters of Man, the sin that led to Doom.

Atal denotes shaking, dancing, coition, saying, singing, reciting, gambling, etc.. So, we are instructed at what price the Sons of God taught the Daughters of the Giants the stage arts in ancient Atal-alant.

Again, an infinity of similar assonances is possible, but the above will have to do for the moment being.

The reader may be surprised to see that we are approaching the myths from essentially all nations as if they all belonged to a single tradition.

But this is exactly the case, at least insofar as the myths of Atlantis are concerned. Atlantis is the Primordial Land whence the Civilizing Herves of all nations originally came.

And their myths on Paradise are their common heritage, passed down the times, by word of mouth, as the sacred history of the primordials of Mankind.

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Atlas as the Pillar of Heaven. Atala designates the third hell of Patala. Atlantis, we should recall, was sunk underground or underseas , and became the archetype of Hell or Hades.

Atala is said to be a realm of gold like the Aeaea in Homer, the golden submarine kingdom of Poseidon.

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The Lofty Towers of Atlantis The word atala passed into the Arabic tongue as at-talaia, a word that denotes a watchtower or a watcher.

The Tower symbolizes the Temple of Jerusalem, and other such temples and holy mountains and is also figured by the ziggurats, stupas, pagodas, pyramids, temples, cathedrals, obelisks, asherahs, spires, towers, campaniles, etc..

Athaliah was the evil woman who killed all the royal descendants, so that she could reign alone. But one escaped Joash and was kept hidden within the watchtower of the Temple, whence he came out later to avenge the murders of the evil queen.

The name of Athaliah seems to play on that of Atlas or Atalas Shiva , as well as on that of a lofty pillar atala. Even the Hebrew etym of her name also suggests the same idea.

The myth of Athaliah and of Joash, her defeater — who came out of the Pillar of the Temple in order to kill her — resembles the one of Narasimha, the Man-Lion of the Hindus, who did the same thing to the evil Hiranya-kashipu.

This name is the same as that of Jachin, one of the two pillars of the Temple of Solomon. It is throw esoteric myths such as this one, that the secret story of the world is told in the Bible, just as it is in the corresponding Hindu myths or those of other nations.

Atarah may personify Atlantis as the Temple of God. The name evokes that of Astaroth or Ishtar, the Babylonian name of Venus. Ataroth evokes the crown seen falling from the top of the Tower of Arcane no.

They also correspond to the twin Pillars of Hercules and Atlas; to the twin obelisks of Egyptian temples, the twin-peaked Mt. The two, as we shall see further below, also represent the Male and the Female deities, and their respective Pole Stars Ursa and Lyra.

These they placed, one in the Extreme Occident, and the other in the Extreme Orient. The twin peaks of Mt. They are, as we just said, the ones we identify with Atlantis and Lemuria.

These two Paradises, the Greeks called Hesperia and Island of the Blest, with they placed in the two extremes of the world.

In a confused way they also identified their two Paradises with the twin Pillars of Hercules, or of Atlas and Hercules, the counterparts of the Primordial Twins.

Atharvan was the first Prajapati and the eldest son of Brahma. He is also called Angiras or Dadhyanch, the original sacrificed one, and an alias of Purusha.

Atharvana is a name of the god Shiva, as the Primordial Sacrifice. Meru in Hyperborea, marking the site of Atlantis. He is said to be either a Rakshasa devil who eats human flesh, or a sage who composed several hymns of the Rig Veda.

These two are the Polar Constellations which patronize, respectively, the Chamites and the Semites. Atras is also the same as Atlas, as is evidenced by the closeness of both their names and their myths.

The Greeks called Minerva by the name of Pallas Athena, the patroness of Athens, the famous city having taken its name from her after the famous dispute with Poseidon.

The etyms of the names of both Athena and Minerva are unknown, a fact that shows that the goddess is an imported deity, just as Herodotus and several other ancient authorities attest.

As we shall see, both these names are unequivocally of Hindu origin. Other authorities claim that Minerva-Athena was of Pelasgian origin.

These three nations are deeply connected with the mysterious Sea Peoples, who originally came out of nowhere into the Mediterranean region.

Minerva and the Foundation of Atlantis Plato connects Athena-Minerva with the founding of Atlantis, and mentions the goddess in two episodes of his dialogue on the sunken continent.

In one, the philosopher tells of her dispute with Poseidon for the patroning of the city Athens. Poseidon offered the horse, and Athena the olive tree.

The later was considered more useful by the Greeks, who chose the goddess for their patroness. Poseidon was given the patroning of Atlantis, which became the traditional enemy of Athens.

Olives and, more exactly, olive oil, have their use in ritual anointing, a rite whose purpose and origin are strictly Atlantean, but which cannot be explaned here.

In another passage, the great philosopher tells of the Panatheneas, the great festival of the goddess, where the victory of the gods over the Titans was commemorated.

As the scholiasts of Plato explain, this war was the Great war of the Athenians against the Atlanteans, who had invaded the region.

Herodotus tells of a very similar tradition among the Libyans and the Egyptians, where Minerva was commemorated by a ritual battle of the people divided into two moieties for the purpose.

Again, Both myths have directly to do with the legend of Atlantis. And, as they far precede the times of Plato, we are led to conclude that the Athenian philosopher could not possibly be inventing the story of Atlantis.

Plato also esoterically connects Athena-Minerva with the founding of Atlantis when he relates the fact that Poseidon engendered Atlas and the other Atlantean princes with Cleito, daughter or alias of Leucippe.

And the myth indeed refers to the legend of Poseidon raping the Great Mother, Demeter under the guise of a horse. This myth is indeed a verbatim copy of an important Hindu Cosmogonic myth, that of Sharanyu and Vishvasvat.

Varuna fell down from the Skies and later became a marine deity Apam Napat , the true archetype of Poseidon or Neptune, the founder of Atlantis. In the Hindu myth — which dates from the Rig Veda and is hence older than the Greek nation itself and which closely parallels the Greek one just mentioned — the goddess takes the shape of a mare in order to escape the incessant lust of her insatiable husband.

But that was of no avail. The god takes the shape of a stallion and rapes the mare goddess. The Ashvin Twins are the archetypes of the similar personages we encounter the world over.

As we said above, Cleito-Leucippe, the Great Mother of Atlantis according to Plato is indeed the White Mare, the alias of Minerva, of Demeter and of Sharanyu, among many other goddesses figured as mares.

But that is another story [LINK] which we tell elsewhere. Minerva and the Foundering of Atlantis Minerva-Athena was often connected with horses, particularly in a mystic way.

The goddess is also connected with Poseidon Hippios, her male counterpart, said to be her father or, alternatively, her lover.

This idea is also copied from the Hindu myth of Sharanyu, where Vishvasvat, the Sun, is both the father and domesticalm of the lover of Sharanyu.

These traditions apparently disclose the fact that the horse — whose the origin is unknown — indeed originated in Atlantis, precisely as Plato affirms.

In a Greek myth, Athena disputes with Poseidon, and beats him at his own game of horse taming. The suffix letis apparently relates to the name of Leto the mother of the twins Apollo and Diana , her alter ego, and to Lethes, the river of Hades whose waters imparted oblivion.

The esoteric allusion is to the Vadava, the Source of the Mare, hidden away under the seas, in the site of Paradise. Again, the myth of Pegasus and that of Hippocrene is Hindu in origin, and so are their connection with the Flood and with Kadesh Barnea and Gades another name of Atlantis.

Triton and Athena Tritogeneia As a further connection with the idea of the foundering of Atlantis and the Vadava, we have the epithets of Athena as Tritonia or Tritogeneia.

These are again somewhat obscure, but can be explained in Hindu languages. Trito or Tritois indeed the Vedic water-god Trita Aptya. The Tritonic or Tritonides Marshes figure centrally in many Greek myths having to do with the sinking of Atlantis.

They correspond to the Vadava, being the spot where the mariners get lost and their ships sink, carried under by the whirling waters like the ones of Charybdis, the giant maelstrom faced by Ulysses and his men.

The Argonauts too get stranded there, but are miraculously saved by the direct intervention of Triton himself. This theme is, once again, taken verbatim from Hindu myths, where Varuna is the god who rescues his supplicants in identical straits.

Even the Psalms, of the Bible allude to an identical event. And the Buddhists too tell, in one of the Jatakas, of a similar succor of Buddha to the navigants who beg for his help.

Again, the list of related myths is virtually endless. It is interesting to note the idea that the god who creates is also the one who destroys.

This is an intriguing allegory of volcanic Mt. Atlas, who was the cause of the foundation of Atlantis at its site — for volcanoes bring abundance with their fertilizing ashes, attracting humans like flies to honey.

But when they explode they also kill everybody, engendering myths such as that of the Great Mother who goes mad and devours her own children.

The same is true of heroes such as Hercules, who kills his sons, or of gods such as Kronos who devours his.

The motif of the all-sucking Chasm of Death is also related to the theme of the Sea Sargassos where ships are detained by these vines and dragged to the bottom, as if by the hand of Satan himself.

Once more, this pristine Sea of Sargassos, — that Columbus and his men mistook for the one of the Caribbean, and which populated the ancient legends — lay in the region of Indonesia, where the peril is indeed very real.

This claim is confirmed by the fact that her name is not Greek, and has no known etyms in that language. For that matter, the same is true of the name of Minerva, which has no etym in Latin.

In fact, it is known that Minerva was originally an Etruscan goddess. Herodotus affirms that Athena is indeed a Lybian goddess, and other ancient authorities affirm tat she is originally Pelasgian.

The fact that the eponymous goddess of the Athenians is foreign is very strange, and shows the foreign origin of the myth of Atlantis, with which she is intimately connected.

It is not exceedingly difficult to show that Athena is indeed of Hindu origin. If so, the just mentioned affirmations are true, and the Pelasgians, the Libyans and the Etruscans themselves are originally Indian.

More exactly, the blue-eyed goddess Glauco-opis is an Indonesian Naga, or rather, a Nagini, a female Naga. We saw above the intimate connection of Minerva-Athena with serpents and with serpent-haired Medusa, as well as with the terrifying Vadava-mukha which the monster personifies.

All these being Indonesian features, the only reasonable conclusion is that the goddess is herself of Indonesian origin.

In fact, the blond Indonesians in question are the Seres or Hyperboreans, in fact living in the paradisial island of Taprobane and being blond and blue-eyed, as described by Pliny and Solinus and, indeed, by other ancient authorities as well.

As such, Minerva often appeared as a little girl, for instance to Ulysses, when he reaches Phaeacia, the Realm of the Dead Atlantis. Kanya is also called Kanyakubja, one of the many Hindu epithets of sunken Atlantis.

The name of Minerva is likewise Dravida is easy to show. As we said above, the word has no etym in Latin, having been introduced by the mysterious Etruscans, who came in from sunken troy read Atlantis led by Aeneas.

This etym, which we already explained above in detail, is precisely the one of Leucippe Leuk-hippe , the founding mother of Atlantis.

Athena is, again, derived from the Dravida. Other Dravidian etyms are likewise instructive: The Virgin Mother and Her Wondrous Son Yami is also the Virgin Mother of many mythologies, who ends up as the lover of her own son or her father, as we saw in the myth of Sharanyu and Vishvasvat told above.

She is associated with fire, and is said to have invented suttee by throwing herself into the fiery pyre of her dead husband. This feat allegorizes the sinking of Atlantis into the Fiery Pit.

So, Pallas is indeed Dawn under disguises such as the ones just mentioned. In other words, all those etyms and allegories that do not make any sense whatsoever in Greece, find their natural explanation in the myths and symbols and holy tongues of ancient India.

What else but their origin there can explain these otherwise mysterious coincidences? We believe that this strange connection has never been satisfactorily explained before.

Space does not allow a fuller explanation. Ushas is also called Ulka in India, both words meaning the same in Sanskrit, and indeed deriving from the same radix.

But in Sanskrit, the owl is said ulukka, which closely assonates with ulka. So, the owl associated with the Great Mother is just a way of saying that Minerva indeed stands for volcanoes or, yet, that her true name is Ulka or Ulukka, both Owl and Volcano in the holy tongues of India, where the myth was visibly contrived.

And they are even more meaningful, as this tongue is the mother of Sanskrit. It was the one in which the myth of Atlantis was originally composed.

Hence, we should expect to find in it the clearest and the best etyms of all. And such is indeed the case, as this tongue is truly magical.

And we should recall the din of the ports of Atlantis, as Plato and others repeatedly narrate. This is also the roaring confusion that irritated the gods and led to the Flood in both the Egyptian and the Babylonian accounts.

Ataram or adara, etc. Alam is a saltpan or a maritime tract or a saline marshy land. But this etym says more. It shows that the ravished Atlantis became a saltpan, a dismal salty marsh like that of the Rann of Kutch, the site of the sunken Dvaraka, the very city of Atlantis.

To this etym we should add the suffix tis or tix discussed above, and meaning the same as the Skt desha or, rather, dvipa, that is a sinking island.

I also has a connection with Tisiphone and her Fiery Pillar, visible from afar. This pillar is Mt. Atlas, the fiery volcano that eventually destroyed the region.

As a result, Atlantis became desolate and deserted, being identified to Hades or Hell, the dismal realm of Yama.

This suffix also figures in the name of Aphrodite, as we saw further above. Yama is the archetype of Pluto or Hades, the Lord of the Dead. Tisiphone or Persephone is his faithful wife, who committed the primordial suttee, and who the Hindus equate with Ushas and Mahavidya Chinnamastaka.

Atlantis is, accordingly, personified as Kala Time or Chronos idem or Zurvan Akarana idem ; as the All-Father whom all legends represent as hoary with age and often associate with death and castration Kronos, Kala, etc.

As usual, the Mamm the Wheel is an ancient Gnostic motif Leonardo was secretly a Gnostic representing Atlantis as a replica and of the Pyramid. So are Christ, Ixion, Vishvasvat and others who pertain to the same primordial motif of spanning the distance between Heaven and Earth with their immense size, or with that of the phallic instrument of torture they are pinned to.

As such it recalls how the angels of Atlantis, the Sons of God, such as Angiras, mingled freely with the Daughters of Man, the sin that led to Doom.

Atal denotes shaking, dancing, coition, saying, singing, reciting, gambling, etc.. So, we are instructed at what price the Sons of God taught the Daughters of the Giants the stage arts in ancient Atal-alant.

Again, an infinity of similar assonances is possible, but the above will have to do for the moment being. The reader may be surprised to see that we are approaching the myths from essentially all nations as if they all belonged to a single tradition.

But this is exactly the case, at least insofar as the myths of Atlantis are concerned. Atlantis is the Primordial Land whence the Civilizing Herves of all nations originally came.

And their myths on Paradise are their common heritage, passed down the times, by word of mouth, as the sacred history of the primordials of Mankind.

Tata is any slanting portion of the body, as the shoulders or the waist. Tata is a name of Shiva as the Shivalinga.

Tala means the base of fundament or bottom part, as well as a low land, usually marshy. The second etym ties in with the Bottomless Pit a chasm , and the first with its dual denoting a flatland or a saltpan such as that of the dismal Rann of Kutch the Indus Delta.

The word tala also evokes the idea of a spread out hand, one of its etyms. This is also a name of the Indonesian Peninsula, as we will see further below.

The idea is that Atlantis consisted of a lofty mountain Mt. Atlas surrounded by a flat marshy plain of enormous size, which was subsequently invaded by the seas, in a cataclysm.

It is in these two destroyed regions that the two Atlantises, Mother and Son, are indeed to be found, buried under the mind deposited by of the Flood.

Tala denotes the palmyra or toddy palm. Its scientific name is Borassus flabelliformis, and its Dravidian names are tar, tali, tari, tati, etc..

The name Tala is often applied to Shiva, the slender and graceful trunk of the palm-tree being an usual symbol of the phallus. Indeed, the toddy palm has a sweet palmetto heart , which is used to prepare a spirituous drink called toddy or arrack.

The toddy cat Viverra — a mustelid that is hunted and castrated for the musk produced by its phallus — is natural enemy, as it climbs to the top of the palm and ravishes its heart for its sugar.

The toddy cat is the animal represented by Ursa Minor, the Polar Constellation of the Phallus, and the toddy palm is its dual, symbolizing Lyra the Yoni , the other Pole Star.

We discuss this subject in detail in our essay on The Song of Songs which we direct the interested reader.

The two lovers are clearly the two Pole Stars, and the profane atmosphere of the poem betrays its Oriental origin, and its deep eschatological message, as we show in our work just mentioned.

Oddly enough, the palmyra or toddy palm is often confused with the betel palm arecca catechu , also used, for the production of toddy.

This castrated phallus becomes Mt. Such castrations are an obsessive motif in Hindu myths and indeed, in most mitologies.

The motif dates from the Rig Veda hymn This happens during coition, exactly as in the case of Ouranos castrated by Kronos.

Tala also denotes the throne of Durga, the female of Shiva. Its dual, tarah or tari denotes an ax, or the action of felling a tree.

Pan or Bacchus — the Phallic God of the Greeks and Romans — has a name and nature that derives from the Dravidian names of the toddy palm, the emblem of the erect phallus.

Many authorities have recognized the Hindu origin of both Pan and Bacchus Dionysos , and we see that they also link with the legend of Atlantis, whose Indian origin is hereby confirmed.

Pan, the Primordial Castrate Pan too, like Bacchus was a castrated god. He was an alias of Bacchus or Dionysos, in a more primitive avatar. This etym of Pan has further relations with castration.

The ultimate etym of this name of the goat buck is the Dravidian pakku mentioned above. And the flail or thresher was a well known phallic symbol.

It was carried as a royal insignia by the Pharaoh, who used it as a sort of scepter. This is shown explicitly, f. The flailing of criminals and slaves is a supreme humiliation which allegorizes impalement, and is said to expel even devils.

In Egypt, the god Min often bore a flail on one hand while the left held his penis by the root. The scenes suggests castration and the punishment with flailing.

Self-castration was often practiced by the priests of Cybele the Galli and many other worshippers of the Mother Goddess. Attis, Adonis, Osiris, Min, Tammuz, Pan, Shiva are a few of the many castrates either by themselves or by the goddess who represents their female moiety.

Rituals such as infibulation and circumcision also clearly relate to castration in honor of femininity. Nimellä, jota kantaa Secrets of Atlantis eli Atlantiksen salaisuus on oletettavaa, että teema ulottuu jonnekin vedenalaiseen maailmaan.

Oletamme arvostelumme hetkellä paljon slotilta. Taustalla on kadonnut maailma raunioineen ja teema on vielä hiukan hämärä. Atlantiksen kaupunki näyttää dekantilta, hyljätyltä ja raunioilta kelojen takana.

Klassinen tuhansien vuosien arkkitehtuuri pilkottaa taustalla ja valokeila heijastuu jostain kaukaa meren syvyyksiin. Sukellamme siis pelaajana merenpohjaan aikaan johon tarvitaan yli 11 vuotta!

Vastamme tulee niin merenneitoja kuin muitakin olentoja: Designin puolesta, olemme lähes varmoja, että kehittäjillä on ollut todella hauskat ajat slottia tehdessä, onhan lopputulos todella spektaakkelimainen, suorastaa satumainen.

Eipä nuolaista vielä, tosin bonustoiminto kyllä on, mutta mitä se tarjoaa? Peli on kuvitukseltaan merenpohjan lailla kolkko ja pimeä ja hiukan salaperäinen teemaltaa.

Kaunis siniturkoosi merenpohja on kutsuva ja sen edessä on kelat, jotka pyörivät symboleineen. Merenneidolla on jotain mielessä, niin viekoittelevana hän hymyilee.

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